I don’t think she thinks of it as criminal. And she just steps in with a focus that is somehow supported by a subterranean part of herself. She’s not very mature, but she’s very skilled, shrewd. Linney: I think it’s more than a power grab. Laura, was this Wendy’s Michael Corleone season, as has been suggested? “There was lots of ‘RuPaul’s Drag Race’ being watched last season.” At first, the Juilliard-trained Linney says, “For me, it’s like reading a book - I just put it down and walk away.” But when Garner admits to relaxing by binging on “Vanderpump Rules,” Linney suddenly remembers that she too has a TV remedy after a long day of Wendy. “She’s moving on to team.”Ī few weeks from now, Linney, Garner and Bateman, who also executive produces and directs episodes, will return to Atlanta to begin production on Season 3 of “Ozark.” Today, however, they settle on a beige sectional in a West Hollywood hotel room to talk about Season 2’s shrinking ensemble, the Byrdes’ abysmal parenting skills, and what it’s like to play such tightly coiled characters. One of those is Ruth Langmore (Julia Garner), a feisty 19-year-old who starts out a “straight-up criminal,” says Bateman, then in Season 2 morphs into something between Marty’s unconventional surrogate daughter (he gives her pointers on money-laundering) and his most reliable employee (she runs Marty’s seedy strip club with a determined fierceness). In the first season of Netflix’s critically acclaimed crime drama, “Ozark,” the tourist destination of Osage Beach, Mo., offers little to financial planner on the lam Marty Byrde (Jason Bateman), his philandering wife, Wendy (Laura Linney), and their two kids besides continuous peril, a boat dock wired for electrocution and sketchy characters.
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